Superman #30 is a powerful, action-packed conclusion to the “Legion of Darkseid” storyline, delivering on its promises while also setting the stage for the massive DC K.O. event. The creative team of Joshua Williamson, Dan Mora, Alejandro Sánchez, and Ariana Maher is firing on all cylinders, providing a story that is as visually stunning as it is emotionally resonant.
The issue’s plot is deceptively simple: Superman, Superboy-Prime, and the weakened Booster Gold are trapped in the future, facing off against a twisted version of the Legion of Super-Heroes who now serve Darkseid. The story’s true genius lies in its handling of the characters, particularly Saturn Girl (Imra Ardeen) and Superboy-Prime.
We get a glimpse into a new, darker origin story for this version of Saturn Girl, who was tormented by a voice that told her the secrets of everything. This voice, which grew louder each day, showed her a glimpse of the “final god” and gave her a mission: to gather forces for a new Legion of Darkseid.
Superboy-Prime, the volatile, fan-favorite character, steals the show. His initial betrayal of Superman confirms his worst tendencies, as he gleefully joins Darkseid’s Legion. However, in a brilliant twist, it’s revealed that his villainous turn was all a ruse to get the Legion of Darkseid to open a portal to Superman’s home timeline. Prime admits that while Superman can’t hide his thoughts because he’s always thinking of doing the right thing, he, on the other hand, can because he “really does hate the Legion” and can channel his nerd rage. Prime, despite his flaws, can still be the hero he once was. The exchange between him and Superman at the end is a highlight, with Superman giving Prime his Legion ring as a symbol of trust. It’s a touching moment that cements Prime’s new heroic path and reinforces Superman’s unwavering belief in others.
The artwork by Dan Mora is clean and well-paced, ranging from intimate, character-driven moments to explosive, action-packed sequences. Mora’s character designs are both classic and fresh, and his ability to convey emotion through facial expressions is exceptional. The look in Saturn Girl’s eye as she reveals her possession is chilling, and the smug grin on Superboy-Prime’s face is priceless.
Alejandro Sánchez’s colors are a perfect complement to Mora’s art, providing a vibrant and immersive atmosphere. The use of rich, deep hues gives the book a cinematic feel. The stark contrast between the warm, inviting yellows of Superman’s powers and the cold, menacing purples and oranges of Darkseid’s forces creates a visually striking scene.
Finally, Ariana Maher’s lettering is impactful and adds to the kinetic energy of the action. The dialogue bubbles themselves add a lot of personality to the characters, especially the distinct look of Superboy-Prime’s dialogue.
Overall, Superman #30 is a fun comic that shows the best of what a superhero story can be. It has a compelling plot, great character development, and breathtaking visuals, all while serving as a crucial stepping stone for the DC K.O. event. The way Superboy-Prime breaks the fourth wall with his Deadpool-esque humor was genuinely funny. The meta joke when Saturn Girl yells, “Kill Booster Gold,” and Prime responds, “Man, Dan Jurgens is going to be pissed,” was hilarious. I guess all that’s left to say is Long Live the Legion!
Superboy-Prime Steals the Show in ‘Superman’ #30
Superman #30 is a fun comic that shows the best of what a superhero story can be. It has a compelling plot, great character development, and breathtaking visuals, all while serving as a crucial stepping stone for the DC K.O. event.
