Batman #161, part of the ongoing “H2SH” storyline by Jeph Loeb and Jim Lee, continues Batman’s intense struggle against Hush. While Jim Lee’s artwork consistently delivers a stunning visual experience, the narrative choices in this issue fall short, feeling somewhat like a rehash of past conflicts.
Jim Lee’s art is, without a doubt, the star of this comic. His detailed, moody visuals, cinematic quality, and strong action layouts are all present and accounted for, effectively amplifying the arc’s dark tone. Every panel is visually striking, and characters like Bane have never looked better under Lee’s pen. The flashback scenes are particularly well-executed, utilizing varied muted colors and distinct paneling to evoke a sense of not-so-distant memory. Alex Sinclair’s colors further enhance this classic 2000s comic feel, making characters pop against submerged backgrounds.
One standout visual moment features Joker, Nightwing, and Red Hood, with Joker’s braces being a truly memorable (and slightly disturbing) sight. The action sequences, while not groundbreaking, are solid and contribute to a generally engaging Batman story from a visual standpoint.
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The central plot twist of Batman #161 introduces an unexpected and somewhat baffling alliance: Damian Wayne (Robin) and Bane team up to rescue Batman from Hush. While this is an interesting team-up, given Bane’s recent history with Alfred, it’s a real head-scratcher. Why is Bane working with Robin? The comic doesn’t really offer enough emotional groundwork to justify this sudden partnership, making it feel contrived. However, the interaction between Batman, Robin, and Bane does provide a moment of unexpected humor, with Batman’s formal “I was not speaking to you” adding a touch of much-needed levity.
Hush’s grand scheme continues to revolve around manipulating the Bat-Family into internal conflict, often using chess pieces to represent his strategic machinations. However, the mystery surrounding Hush’s overall plan remains unclear, leaving readers with more questions than answers.
A significant portion of the issue focuses on the strained relationships within the Bat-Family. There’s a confrontation between Batgirl and Batman regarding his continued saving of the Joker, a recurring point of contention that further strains their dynamic. The dialogue here, and throughout the issue, can feel a bit stilted, especially Batman’s overly formal speech.
We also see a touching scene between Batgirl and Jim Gordon. It’s always been an unspoken understanding that Jim knows Barbara is Batgirl but chooses to remain oblivious, and this moment resonates with genuine father-daughter emotion.
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Things get a bit more convoluted when Batgirl saves Batman, only to attack him for allowing Joker to hurt her father. While their fisticuffs might seem like a waste of panel space over a misunderstanding, it leads to a great character development moment for Bruce as he confesses his admiration for her. It does feel like a long time coming, as many in Batman’s circle disagree with his repeated decision to let Joker live.
Batman #161 certainly delivers on its visual promise thanks to Jim Lee’s consistently strong artistry. However, Jeph Loeb’s narrative feels a bit lacking in depth compared to recent Batman comic showings. The repetitive plotlines, questionable character decisions (especially with Damian and Bane), and underdeveloped mystery surrounding Hush ultimately hinder the story. While the action is solid and the art is fantastic, the narrative’s reliance on familiar conflicts without offering a fresh perspective leaves something to be desired.
‘Batman’ #161 Review: A Visual Feast with Narrative Fumbles
Batman #161 certainly delivers on its visual promise thanks to Jim Lee’s consistently strong artistry. However, Jeph Loeb’s narrative feels a bit lacking in depth compared to recent Batman comic showings. The repetitive plotlines, questionable character decisions (especially with Damian and Bane), and underdeveloped mystery surrounding Hush ultimately hinder the story. While the action is solid and the art is fantastic, the narrative’s reliance on familiar conflicts without offering a fresh perspective leaves something to be desired.
