• Facebook
• X
• Reddit
• Instagram

The first issue of Predator: Black, White, & Blood presents three distinct Yautja tales set across different points in history. From the colonization of Australia to a brutal encounter in Medieval times, to a deadly clash at a modern-day weapons expo, each story brings its own unique premise and conclusion. The action is intense, the violence is relentless, and the brutality is taken to a whole new level.

Marvel’s Black, White & Blood imprint typically focuses on darker, more violent characters, such as Wolverine, Moon Knight, and Carnage, utilizing a bold three-color palette of black, white, and red to deliver gritty, visually striking anthology stories. Predator: Black, White & Blood #1 puts a fresh spin on the format by finally featuring the Yautja and making a clever visual change: in addition to the standard colors, it introduces green to represent the Predator’s signature neon blood.

The first story in the issue, “Bloodwood” Part 1 by Joe Kelly and Alvaro Lopez, kicks off a multi-part arc set during the Australian Gold Rush of the 1860s. It follows a young girl named Millie, who travels to Australia with her parents in search of a better life. After their tragic deaths, she’s forced to survive by working in a brothel called the Red House. Beneath the surface, the establishment hides a brutal secret: a fighting ring featuring a one-armed, captured Predator. The violence is intense, and the twist ending promises an exciting continuation to this gritty historical tale.

Marvel Comics

The artwork in this issue is striking, with sweeping depictions of the Australian wilderness and smart splashes of red and green that stand out against the black-and-white palette. The panels feature bold, exaggerated characters and a rare, compelling look at a wounded, armorless Predator.  Álvaro Lopez draws the creature as gaunt and one-armed, yet still ferocious enough to tear through a pack of wild dogs. A grotesque throne made of severed hands adds to the brutality, mirroring Millie’s own suffering and belief that the Predator is her unlikely savior.

“Once and Future” offers a gripping, action-heavy glimpse into a Predator hunting down a group of knights in a medieval setting. The Yautja is portrayed as ruthless and in peak condition, delivering gory, high-impact violence. The story is simple and tightly told, capturing a brief but intense moment in time. What truly elevates it is the surprising twist: the reveal of a famous mythological figure, which recontextualizes the entire encounter. Writer Eliot Rahal blends elements of Arthurian legend and historical lore, such as Merlin as a druid and the Saxon invaders. At the same time, Brian Level’s artwork amplifies the bloodshed with vivid greens and a haunting atmosphere.

Marvel Comics

The final story, “A Place of No Honor” by Sarah Gailey and Fran Galan, drops a Predator named Hishinde into the heart of a bustling weapons and security trade show. It’s a clever setup: a room full of heavily armed humans unknowingly facing off against one of the universe’s deadliest hunters. The action is vicious and bloody, but what makes this tale stand out is Hishinde’s eerie inner monologue, offering a rare glimpse into a Yautja’s mindset and code of honor. Galan’s art bathes the Predator in a sickly green glow throughout, heightening the tension in this brutal, atmospheric conclusion.

Predator: Black, White & Blood #1 is a standout entry that delivers brutal action, strong storytelling, and striking visuals. Exactly what fans of the franchise want. Marvel doesn’t hold back here; each tale feels raw, original, and perfectly suited to the black, white, and (green) blood aesthetic. The themes are sharp, the violence hits hard, and the art keeps you turning pages. If you were a fan of Predator: Killer of Killers or Prey, this anthology is right up your alley. It’s a bold, bloody addition to the Yautja mythos and a must-read for Predator fans.

• Facebook
• X
• Reddit
• Instagram

The first issue of Predator: Black, White, & Blood presents three distinct Yautja tales set across different points in history. From the colonization of Australia to a brutal encounter in Medieval times, to a deadly clash at a modern-day weapons expo, each story brings its own unique premise and conclusion. The action is intense, the violence is relentless, and the brutality is taken to a whole new level.

Marvel’s Black, White & Blood imprint typically focuses on darker, more violent characters, such as Wolverine, Moon Knight, and Carnage, utilizing a bold three-color palette of black, white, and red to deliver gritty, visually striking anthology stories. Predator: Black, White & Blood #1 puts a fresh spin on the format by finally featuring the Yautja and making a clever visual change: in addition to the standard colors, it introduces green to represent the Predator’s signature neon blood.

The first story in the issue, “Bloodwood” Part 1 by Joe Kelly and Alvaro Lopez, kicks off a multi-part arc set during the Australian Gold Rush of the 1860s. It follows a young girl named Millie, who travels to Australia with her parents in search of a better life. After their tragic deaths, she’s forced to survive by working in a brothel called the Red House. Beneath the surface, the establishment hides a brutal secret: a fighting ring featuring a one-armed, captured Predator. The violence is intense, and the twist ending promises an exciting continuation to this gritty historical tale.

Marvel Comics

The artwork in this issue is striking, with sweeping depictions of the Australian wilderness and smart splashes of red and green that stand out against the black-and-white palette. The panels feature bold, exaggerated characters and a rare, compelling look at a wounded, armorless Predator.  Álvaro Lopez draws the creature as gaunt and one-armed, yet still ferocious enough to tear through a pack of wild dogs. A grotesque throne made of severed hands adds to the brutality, mirroring Millie’s own suffering and belief that the Predator is her unlikely savior.

“Once and Future” offers a gripping, action-heavy glimpse into a Predator hunting down a group of knights in a medieval setting. The Yautja is portrayed as ruthless and in peak condition, delivering gory, high-impact violence. The story is simple and tightly told, capturing a brief but intense moment in time. What truly elevates it is the surprising twist: the reveal of a famous mythological figure, which recontextualizes the entire encounter. Writer Eliot Rahal blends elements of Arthurian legend and historical lore, such as Merlin as a druid and the Saxon invaders. At the same time, Brian Level’s artwork amplifies the bloodshed with vivid greens and a haunting atmosphere.

Marvel Comics

The final story, “A Place of No Honor” by Sarah Gailey and Fran Galan, drops a Predator named Hishinde into the heart of a bustling weapons and security trade show. It’s a clever setup: a room full of heavily armed humans unknowingly facing off against one of the universe’s deadliest hunters. The action is vicious and bloody, but what makes this tale stand out is Hishinde’s eerie inner monologue, offering a rare glimpse into a Yautja’s mindset and code of honor. Galan’s art bathes the Predator in a sickly green glow throughout, heightening the tension in this brutal, atmospheric conclusion.

Predator: Black, White & Blood #1 is a standout entry that delivers brutal action, strong storytelling, and striking visuals. Exactly what fans of the franchise want. Marvel doesn’t hold back here; each tale feels raw, original, and perfectly suited to the black, white, and (green) blood aesthetic. The themes are sharp, the violence hits hard, and the art keeps you turning pages. If you were a fan of Predator: Killer of Killers or Prey, this anthology is right up your alley. It’s a bold, bloody addition to the Yautja mythos and a must-read for Predator fans.