Charles Soule and Jesus Saiz’s Eddie Brock: Carnage #2 sees Eddie Brock turns himself in. Simple, right? Not when he’s also Carnage! Expect a brutal escalation as the lethal protector’s mission explodes into violence.
We open in a police precinct, with Eddie Brock surrendering, confessing to murder. He insists on speaking only to Detective Chuck Brentwood. Speaking to the detective, Eddie reveals the existence of alien symbiotes, explaining his failed attempt to use them for good. Meanwhile, Carnage continuously interrupts, spewing venomous commentary inside Eddie’s mind.
Eddie admits to the detective that he and Carnage bonded in a moment of shared vulnerability, both mortally wounded. Though Eddie maintains control, Carnage can still kill him, craving bloodshed like an addict. However, they’ve devised a plan: Eddie kills, feeding Carnage’s bloodlust, but he chooses the targets—serial killers. It’s a twisted premise.
Adding to the tension, the feds scramble to understand the recent plane crash incident. A surprising character makes an appearance, radiating 70s-style, no-nonsense P.I. vibes. The comic ends in a shocking twist: Detective Brentwood, or is it Bushwacker—it’s unclear—is a serial killer! His arms transform into cannons, firing at Carnage. A chaotic fight erupts. Cornered, Bushwacker commits a final, desperate act. Will he survive Eddie’s vengeance? We’ll have to find out in next month’s issue.
Credit: Marvel
Charles Soule delivers a compelling Carnage story, weaving a simple yet engaging tale about righting wrongs, even through questionable methods. This straightforward story to hunt down serial killers proves surprisingly effective, reminding us that sometimes, simplicity is key. The true highlight, however, is the breathtaking artwork. Jesus Saiz’s rendering of Carnage’s debut image—a macabre tapestry of his victims’ faces and bodies—is a visual masterpiece. Every detail, from the bulging eyes and crimson splashes to the contorted limbs and agonized screams, is meticulously crafted. Moreover, Saiz’s character work remains exceptional, showcasing a keen eye for anatomy. Every muscle and detail is brought to life with bold, eye-catching designs.
The fight sequences, too, are a testament to Saiz’s skill. They’re dynamic, easy to follow, and packed with visceral impact, capturing the chaos of destruction with shattering walls, splintering mirrors, and flying debris. The panel-to-panel flow is seamless, drawing you into the action.
Matt Hollingsworth’s coloring continues to highlight. His vibrant hues bring the art to life, bathing Carnage in a sinister crimson sheen, while strategic dark shading amplifies the character’s demonic presence. The collaborative effort between Saiz and Hollingsworth is genuinely impressive. Despite its potential, the comic falters with an abrupt conclusion and a subplot that, unfortunately, retreads elements from the first issue. This repetition prevents the story from genuinely progressing.
Credit: Marvel
Sabino’s lettering is superb here as well, guiding the reader effortlessly through the panels. His dynamic sound effects, like “KRRCK”, “FWSSSH,” and “SMSH,” amplify the action, elevating an already vivid fight scene. While generally consistent, there’s a minor instance of differing onomatopoeia used for a previous action.
Eddie Brock: Carnage #2 delivers a brutal and engaging story where Eddie’s attempt to control Carnage by hunting serial killers spirals into chaotic violence, highlighted by Jesus Saiz’s exceptional and visceral artwork. However, the narrative suffers from an abrupt ending and a repetitive subplot, hindering its overall progression.
‘Eddie Brock: Carnage’ #2 Review: Eddie Brock’s Dark Confession
Eddie Brock: Carnage #2 delivers a brutal and engaging story where Eddie’s attempt to control Carnage by hunting serial killers spirals into chaotic violence, highlighted by Jesus Saiz’s exceptional and visceral artwork. However, the narrative suffers from an abrupt ending and a repetitive subplot, hindering its overall progression.
