The Absolute Universe has been a wild ride from the start, but Absolute Wonder Woman #17 might be its most high-octane entry yet. Writer Kelly Thompson, artist Hayden Sherman, and colorist Jordie Bellaire have crafted an issue that is equal parts magical epic and heavy-hitting wrestling match. It is an issue that manages to be both bonkers and endearing, providing exactly the kind of charming energy that keeps us coming back.
Magic Unleashed and the “Absolute” Twist
Right off the bat, Zatanna manages to get her power back, and honestly, it’s awesome. Thompson has been doing something really clever with the mechanics of this world. Instead of the typical Suicide Squad-style bombs used to control people, this universe utilizes a parasite that feels a lot like an Absolute Starro. Seeing Zatanna purge that parasite and reclaim her identity, while referring to herself as the daughter of Giovanni Zatara and the mistress of magic, immediately sets a high-stakes tone.
One of the highlights here is the visual representation of that magic. I really like the colors in this issue, specifically how Jordie Bellaire handles the different magical signatures. The electric blue of Zatanna’s magic looks very cool and creates a sharp contrast against the gritty urban backdrop of Gateway City.
Diana the Warrior-Witch
Wonder Woman herself looks as badass as ever in this issue. In the Absolute Universe, Diana is more magic than muscles, and I love it when she uses her magic. Unlike the traditional golden lasso, her power here manifests as a vibrant green energy. There’s a standout moment where she creates a pink orb-like construct, captures Dr. Poison, and literally throws it out the window to clear the area. It’s a creative, aggressive use of power that perfectly fits this version of the character.
The choreography of the main brawl is where the book truly shines. We get a massive four-way clash between Wonder Woman and a trio of heavy hitters: the towering Giganta, the feral Cheetah, and a Men-fish queen named Ara. The fight looks awesome, and Becca Carey’s lettering adds so much texture to the experience. You can practically feel the impact of the SLAM and CRUSH on the page. Sherman’s artwork is incredibly dynamic; his scratchy, energetic lines make the action feel chaotic and urgent rather than static.
And let’s not forget Pegasus. Calling him just a “steed” feels like an understatement because he’s now my favorite skeleton steed that also breathes hellfire, and seeing him “assist” Diana during the chaos was pure heavy-metal joy.
The Battle of the Giants
Giganta, however, is a real standout in this issue. She looks absolutely huge, and her design is fantastic. Her hair is rendered like a fiery red cloud, matching her boisterous, aggressive energy. Thompson gives her a very specific voice; she’s loud, fun, and clearly enjoying the fact that she can finally let loose and go “gigantic.”
The issue peaks when Diana uses her magic to grow to match her opponent. Seeing two giants trade blows across Gateway City is a spectacle. The dialogue during this fight is top-tier. When Giganta keeps calling Diana “princess,” Wonder Woman finally has enough: “I don’t care for the way you say ‘princess.’” Then, punches her square in the face. It feels like a high-stakes WWE match in the best way possible.
What makes this version of Diana so endearing is that even while she’s struggling, she’s still having a bit of fun with it. As Giganta rants about grinding bones to make bread, Diana’s internal monologue quips, “She’s really fixated on this bread analogy.” It’s that touch of humor that makes Thompson’s voice for the character so great.
The Flaming Cliffhanger
The issue wraps up in a very bonkers way. After dealing with the immediate threat of Giganta, Diana discovers the aftermath of some serious “blood magic” that has left Cheetah “indisposed.” The final reveal is a new figure, covered in flames and looking like a skeleton. Honestly, I’m unsure who it is; it could be a reimagined Absolute version of Giovanni Zatara, or El Diablo, or someone entirely new to the Absolute mythos, but it is incredibly intriguing.
Overall, Absolute Wonder Woman #17 is a total blast. It balances high-concept magic with raw, physical action and character-driven humor. Thompson and Sherman are building a world that feels vital and unpredictable. I’m definitely excited for what comes next in the “Season of the Witch.”
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‘Absolute Wonder Woman’ #17 is a Titan-Sized Smackdown
Absolute Wonder Woman #17 is a total blast. It balances high-concept magic with raw, physical action and character-driven humor. Thompson and Sherman are building a world that feels vital and unpredictable. I’m definitely excited for what comes next in the “Season of the Witch.”
