Deniz Camp and Juan Frigeri are back with a bang in The Ultimates #13, kicking off the second year of this new Ultimate Universe with an issue that’s as thrilling as it is urgent. With the looming threat of the Maker’s release just six months away, Iron Lad and his team are forced to speed up their plans, leading to the intriguing, and potentially game-changing, “Ultimates 3.0.”
Camp’s writing continues to be a highlight, filling the story with a real sense of danger and the weight of immense responsibility. The countdown to the Maker’s freedom is used brilliantly, creating a constant hum of tension. You can truly feel Iron Lad’s desperation and his willingness to take more bold actions, showing his growth as a leader under extreme pressure. The introduction of “Ultimates 3.0” hints at an exciting new direction for the team, promising new members or strategies that will be crucial in their desperate fight.
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What really stands out in this issue is Camp’s ability to weave in social commentary. He brilliantly highlights how media can be censored and manipulated, giving this Ultimate comic a unique vibe that sets it apart from others. It’s fantastic how the series highlights real-world events, making it feel more relevant and impactful.
Amidst the rising tension, there are truly beautiful moments of hope and redemption. It was inspiring to see Captain America offer a chance for redemption to the Red Skull’s followers, and how Luke Cage is actively working to reform convicts from inside prison walls. However, there’s also a constant feeling of unease during this issue, getting even more intense with the discovery of the Tony’s clones, which makes everything feel much darker, and shows Tony making decisions with good intentions, but could ultimately lead him to Ultimate Kang? Unsure, but the issue effectively plants the seed for more to come.
Juan Frigeri’s artwork continues to be the perfect match for Camp’s dynamic script. His clean lines and strong character work effectively convey the urgency and intensity of the situation. The action sequences are incredibly well-choreographed and impactful. But it’s not just the action; Frigeri gives the quieter, character-driven moments the space they need to resonate. His ability to render both the technological marvels of the Ultimate Universe and the raw emotion of its heroes is consistently impressive. One standout panel is Thor speaking from the clouds, looking truly godly, made of clouds with lightning pouring out. It’s a fantastic visual by Frigeri.
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The comic does a great job of not just pointing out problems, but also showing actual steps to solve them. It’s a refreshing take on how to start a revolution instead of just sitting back and letting the bad guys take over. Moreover, this issue is an excellent jumping-on point for new readers curious about the Ultimate line, while also rewarding long-time fans with significant plot progression. The creative team masterfully balances exposition with forward momentum, ensuring the story never feels bogged down despite its intricate world-building.
The Ultimates #13 is a testament to the strong foundation Camp and Frigeri have built for this new iteration of Marvel’s Ultimate line. It’s a high-quality comic that excels in its pacing, character development, and artistic execution. The stage is now set for an epic confrontation with the Maker, and with “Ultimates 3.0” on the horizon, readers will undoubtedly be eager to see how this crucial countdown unfolds.
‘The Ultimates’ #13 Setting the Stage for a Sizzling Second Year
The Ultimates #13 is a testament to the strong foundation Camp and Frigeri have built for this new iteration of Marvel’s Ultimate line. It’s a high-quality comic that excels in its pacing, character development, and artistic execution. The stage is now set for an epic confrontation with the Maker, and with “Ultimates 3.0” on the horizon, readers will undoubtedly be eager to see how this crucial countdown unfolds.
