Captain America steps into a world far different from the one he left behind in this bold new chapter from Chip Zdarsky and Valerio Schiti. As Steve Rogers awakens from his long freeze, he finds himself in a modern era defined by covert operations, blurred moral lines, and enemies who no longer wear clear faces.
Most fans are familiar with the basic story of Steve Rogers, mainly because the MCU has stayed true to his comic book origins. Still, that backstory has gone through several retcons over the years. Particularly, the timeline of when he was thawed out after World War II keeps being pushed back later. The newest Captain America ongoing series introduces yet another revision, this time showing Steve rejoining the military to take on a mission aimed at preventing the rise of… Doctor Doom?
Issue #1 picks up just a week after Steve Rogers is discovered by the Avengers. Though they welcome him to join their team, Steve is still struggling to adjust to the modern world. In search of something familiar, he turns to the one part of his old life that still feels intact.
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Following his successful intervention in an attack on the United Nations and a subsequent debriefing, Captain America is assigned a new mission. He’s informed about a newly emerged Doctor Doom who has taken American diplomats hostage.
While many people know Steve Rogers from the films, Chip Zdarsky doesn’t assume that knowledge in his approach. His script serves as a strong introduction to who Rogers truly is, portraying him as a principled idealist with a clear moral compass. Zdarsky also makes it clear that Rogers is more than just a soldier; he’s thoughtful and strategic, someone who prefers to resolve situations without resorting to violence when possible.
This is highlighted in the gripping action scene where Cap intervenes to prevent a terrorist attack but chooses to de-escalate the situation by reasoning with the bomber, recognizing him as a fellow American soldier from his movements and strategy. The issue also serves as a gateway into the broader Marvel Universe, featuring Steve’s early interactions with Iron Man, Mr. Fantastic, General Thaddeus “Thunderbolt” Ross, and the introduction of a new version of the Howling Commandos.
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There’s a B-plot about a red-haired kid who watches one of the towers go down on 9/11. It’s told from a future point of view and dives into some heavy stuff like what it means to take a life and whether someone can come back from that. The kid’s journey involves dealing with bullying and joining the army. It parallels Steve Rogers’ journey in many ways. Zdarsky keeps things vague, so it’s unclear where things will go, but this character is being set up to play an important role in this series.
Schiti’s artwork relies on subtle shading and soft outlines to create depth, especially in backgrounds and character clothing, helping everything feel grounded and natural. His style, paired with Martin’s gentle color transitions, gives the pages a painted, almost impressionistic feel. The color contrast is generally low, using slightly heavier lines to separate figures and objects. The sharpest contrast comes from Caramagna’s lettering. The white dialogue bubbles leap off the soft-colored pages. Steve’s internal monologue boxes, in a muted sky blue, blend better with the palette, and while effective, the brightness of the white bubbles can feel a bit jarring.
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Ben Harvey’s cover also really grabs the attention. It is reminiscent of the final scene in Captain America: The First Avenger. The American flags on the Times Square screens behind Steve Rogers add a lot of impact. And the red, white, and blue colors give it a cool mix of modern and classic vibes. It’s an excellent cover to mark a new chapter.
Overall, this latest run of Captain America kicks things off on a strong note. Visually, it presents a style that feels fresh and unexpected for the Star-Spangled Avenger. The narrative is welcoming to newcomers while still offering a unique take on the character’s legacy that longtime fans will find compelling.
‘Captain America’ #1 (2025) Steve Rogers is Doomed
This latest run of Captain America kicks things off on a strong note. Visually, it presents a style that feels fresh and unexpected for the Star-Spangled Avenger. The narrative is welcoming to newcomers while still offering a unique take on the character’s legacy that longtime fans will find compelling.

















